[The National Archives is still closed because of COVID-19. This file was copied before the closure in March 2020. I will let you know when the archives reopens. THN]
There is not much information in Long Tack Sam Company’s file. The cover sheet shows that the file contains information on actors who were members of the Long Tack Sam Company. They were admitted at Blain [sic], Wn. [Washington], ex G. N. train [Great Northern Railway], June 17, 1923. (See 10770/1-1 to 12). It was an inventory file. The subjects were listed as Long Tack Sam, Long Lieu (Lan Ludovika), Fang Ching Hai, Sih Qua Ling, Sang Chi Hwa, Wang Kuh Yong and Li Koy Dohien.
Page 1: 23 June 1920 letter from Pantages Theatre Company, Inc., Seattle, Washington to U.S. Immigration in Seattle, notifying them that Long Tack Sam Company of Chinese magicians would be returning to the port of Seattle on Sunday, 27 June at 9 p.m.
Page 2: 7 May 1923 letter on Long Tack Sam Company stationary to Seattle Immigration Service regarding Chang Chang Ching with an attached photo of Chang.
Page 3: photos 1-7 with names listed [not dated]
Page 4: five photos of nine actors with names listed [not dated]
Page 5: eight photos of eight actors with names listed [not dated]
“Long Tack Sam and members of the Long Tack Sam Co.” 1923, Chinese Exclusion Act case files, RG 85, National Archives-Seattle, Long Tack Sam Company case file, Seattle Box 1306, files 38772/1-1 to 1-9.
John Jung posted this video of Long Tack Sam on Facebook:
Here’s the promo for it:
“This feature documentary offers a whimsical tour through the history of Chinese magicians and performers in the Western world. Long Tack Sam was an internationally renowned Chinese acrobat and magician who overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful acts of his time. Filmmaker Ann Marie Fleming travels the globe searching for the story of her great-grandfather, the cosmopolitan Long Tack Sam. A celebration of the spirit of Long Tack Sam’s magic and art, this richly textured first-person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century.”
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