Tag Archives: Great Northern Railway

Long Mi-Na and Long Nee-Sa — Long Tack Sam Troupe

[The National Archives is still closed because of COVID-19. A few months ago, I emailed the staff at seattle.archives@nara.gov with my request for the files for Long Mi-Na and Long Nee-Sa. The request went into the queue and when my number came up a staff member scanned the files and emailed them to me. They are the greatest!]

“Long Mi-Na & Long Nee-Sa correspondence photos,” 1929, Chinese Exclusion Act case files, RG 85, National Archives-Seattle, Long Mi-Na and Long Nee-Sa case file, Seattle Box 334, file 7022/18-3 & 7022/18-4.

Long Mi-Na, age 23, and Long Nee-Sa, age 21, were the daughters of Long Tack Sam. They were actresses and members of the Long Tack Sam Troupe who made several tours the United States and Canada. There were twelve members of the troupe. On this trip to Vancouver, B.C. they left Seattle on 23 November 1932 by boat, returned via the Great Northern Railway, and were identified and admitted at Blaine, Washington, one week later.

The troupe was bonded by the National Suety Company granted by Department of Labor.

The initial correspondence in the files was for their 1929 tour. On that tour, they left the U.S. in March for vaudeville engagements at Winnipeg, Calgary and Vancouver, Canada; and reenter at Seattle in April 1929 to continue their tour in the United States. They were allowed to stay in the U.S. for six months. A bond of $1,000 was paid for each of the twelve members of the troupe. The substantial amount of the bond was to assure that all the members of the troupe would depart the U.S. at the end of the six-month period.

[Unfortunately, files for travelers such as actors, actresses, acrobats, and vaudeville members, usually do not contain much information. Most do not include a photograph.  Mi-Na and Nee-Sa’s files were only six pages but each file included a photo.]

See more information about Long Tack Sam from an earlier post.

Long Tack Sam – Internationally Renowned Magician & Acrobat

[The National Archives is still closed because of COVID-19. This file was copied before the closure in March 2020. I will let you know when the archives reopens. THN]

There is not much information in Long Tack Sam Company’s file. The cover sheet shows that the file contains information on actors who were members of the Long Tack Sam Company. They were admitted at Blain [sic], Wn. [Washington], ex G. N. train [Great Northern Railway], June 17, 1923.  (See 10770/1-1 to 12). It was an inventory file. The subjects were listed as Long Tack Sam, Long Lieu (Lan Ludovika), Fang Ching Hai, Sih Qua Ling, Sang Chi Hwa, Wang Kuh Yong and Li Koy Dohien.

Page 1:  23 June 1920 letter from Pantages Theatre Company, Inc., Seattle, Washington to U.S. Immigration in Seattle, notifying them that Long Tack Sam Company of Chinese magicians would be returning to the port of Seattle on Sunday, 27 June at 9 p.m.

Page 2: 7 May 1923 letter on Long Tack Sam Company stationary to Seattle Immigration Service regarding Chang Chang Ching with an attached photo of Chang.


Photo of Chang Chang Ching

Page 3: photos 1-7 with names listed  [not dated]

Page 4: five photos of nine actors with names listed  [not dated]

Page 5: eight photos of eight actors with names listed [not dated]

“Long Tack Sam and members of the Long Tack Sam Co.” 1923, Chinese Exclusion Act case files, RG 85, National Archives-Seattle, Long Tack Sam Company case file, Seattle Box 1306, files 38772/1-1 to 1-9.

John Jung posted this video of Long Tack Sam on Facebook:

Here’s the promo for it:
“This feature documentary offers a whimsical tour through the history of Chinese magicians and performers in the Western world. Long Tack Sam was an internationally renowned Chinese acrobat and magician who overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful acts of his time. Filmmaker Ann Marie Fleming travels the globe searching for the story of her great-grandfather, the cosmopolitan Long Tack Sam. A celebration of the spirit of Long Tack Sam’s magic and art, this richly textured first-person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century.”